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The project focuses on the current pastoral TV shows which use documentary filming techniques as the main lens language. In the process to record natural scenes, plenty of time-lapse photography and wide-angle shooting is used. Meanwhile, as a concept, time is extended by slow and quiet processing of images, trying to express the leisurely and comfortable lifestyle. However, natural symbols have been packaged and infiltrated by capital, and a vision of the urban class trying to escape from the social accelerationist way of life to the dreamy pastoral has also been shown.

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Based on this, Xiaoran Feng collected a large number of landscape shootings in TV shows and combined all those natural symbolic with complex meaning, aiming to create a  'perfect' landscape view. At the same time, She chose to use greeting cards as a metaphorical object of capital, and used this medium for an expression. Guide the audience to participate in this browsing like a resort trip, to evoke the audience's rethink.

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该项目聚焦于日前盛行的慢综艺，这一类型的节目以纪实拍摄技术为主要镜头语言。 在记录自然场景的过程中，使用了大量的延时摄影和广角拍摄。 同时，作为一个概念，时间通过缓慢而安静的图像处理被延长，试图表达悠闲而舒适的生活方式。 然而，自然符号已经被资本包装和渗透，呈现出城市阶层试图从社会加速主义的生活方式中逃离到梦幻般的田园的景象。在此基础上，冯筱然收集了大量电视节目中的景观拍摄，并将这些具有复杂意义的自然符号全部结合起来，旨在创造一个 "完美 "的景观。 同时，她选择以贺卡作为资本的隐喻对象，利用这种媒介进行表达。引导观众像度假旅行一样参与到这种浏览中来，唤起观众的反思。